Out with the Old, In with the Not-So-New

As the scope and pervasive nature of the internet have increased to a profoundly (overly-?)integrated level we begin to see its direct impact on our music, and, specifically, our musical recordings. A post I came upon earlier today on Stereogum points to a band who seem to be taking full advantage of the rather forgiving (I think that’s a proper adjective to describe what I’m getting at) nature of the music distribution database that is the interweb.


There appears to be a new Brooklyn band on the scene. They’re called Minks, and their tunes are alright. But it’s their production that stands out. It seems to this dirty fucking hipster that the band may not be in possession of a microphone and have recorded their tracks straight into a computer, likely a 13″ MacBook from 2007, the ought’s version of the StarTac. While many purists may reject this method as “improper recording technique,” this opinionated fucking hipster digs it. If the public isn’t going to pay for their music – and they’re not, get over yourselves, majors and distributors – why the fuck should the band pay for it?

It would be great to see this become a common trend. And it’s not a middle finger to the music-consuming public, but, rather, a shake of the hand. “You’ve got yourselves a deal, fans. NOBODY pays for music now!” This, of course, comes with the caveat that if a listener would like to hear what the music actually sounds like, he or she will have to shell out 6-10 bucks to catch a live show. Ain’t that the way it oughta be?

As a hipster it is my duty to both scrutinize and defend my hipster culture. Too many folks take the easy route and point at the artificial nature of the clothing and the quintessential lethargic attitude towards professional and economic progress that rests at the core of hipsterdom, but not enough are pointing out its merits. If nothing else, it certainly endorses an ethic of open critique and investigation, particularly into the arts, and particularly into music. Like Dylan said, and I’m paraphrasing here, a song can’t change the world, but rather, acts as a mirror and bluntly illustrates that which already exists but may go unnoticed. The term P2P was invented, what, 20 years ago? But it isn’t until this very moment that mankind has spent the appropriate time – about one generation – living in a P2P world to have the full realization of its affects on natural cultural reproduction. Kudos, Minks. Let’s just hope that you bring it live, otherwise it may all be for nought. -DFH


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